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Ncono Siyeke album artworkMD / FULL PROJECT
THE RECORD ROOM / ALBUMS & EPs

Ncono Siyeke

Mshinwemali & Zothando ↗
5 tracks24 minutesMaskandi
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FROM START TO FINISH

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04NgenaMshinwemali4:00↓
05SathaneMshinwemali5:08↓
THE COMPLETE PICTURE

About the project

South African Maskandi artists Mshinwemali and Zothando teamed up for Ncono Siyeke, a five-track EP released on 10 September 2024 under Insika Yethonga. The project brings together the two artists in a collaborative release that showcases their connection to the Maskandi music scene. With a total runtime of approximately 23 minutes, the EP offers a compact listening experience for fans of South African traditional music. The collection also features guest appearances from Londeka Shangase, Umafikizolo, and Shenge Wasehlalankosi, adding further vocal contributions to selected songs. For listeners discovering the music of Mshinwemali and Zothando, Ncono Siyeke provides an accessible introduction to their joint project.

The EP features five tracks: “Into Yami,” “Ukungibhedela,” “Ncono Siyeke,” “Ngena,” and “Sathane.” The opening song, “Into Yami,” features Londeka Shangase, while “Ukungibhedela” brings together Umafikizolo and Londeka Shangase alongside the lead artists. The title track, “Ncono Siyeke,” features Shenge Wasehlalankosi, giving the project another notable collaboration. The final two songs, “Ngena” and “Sathane,” complete the collection with tracks credited to Mshinwemali. This sequence balances collaborative performances with solo-billed recordings, giving listeners several ways to explore the project. The title song is particularly relevant to fans searching for the EP by name, while the guest appearances make the first three tracks key highlights of the tracklist.

For fans searching for the Mshinwemali and Zothando Ncono Siyeke EP tracklist, this five-song release remains a project to explore within the South African Maskandi catalogue. Listeners can start with “Into Yami,” discover the collaboration on “Ukungibhedela,” and continue through the title track before finishing with “Ngena” and “Sathane.” The appearances by Londeka Shangase, Umafikizolo, and Shenge Wasehlalankosi add variety to the collection while keeping the main focus on Mshinwemali and Zothando. Whether you are revisiting the artists' earlier work or discovering the EP for the first time, Ncono Siyeke offers a concise listening experience for anyone interested in Maskandi and contemporary South African music.

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